The primitive human has been tried to understand without the need for conscious reasoning what the contemporary human been is trying to understand through rational knowledge.

At the crossroads of a long-term conflicting body story, borrowing from prehistoric cultures, I have discovered new, pared-down primary expression. The primitive markings and proto archaic signs depict spiritual themes and hark back to the origins of humanity. Marked on my own raw works, in order to induce the effects of power, I have particularly emphasized nonverbal primitive rituals engaging the magic of drawing, anthropomorphic symbols and the magic of dance (see my on-site research in Europe, Transylvania: Paleolithic and Neolithic period).